Showing posts with label Tokyo. Show all posts
Showing posts with label Tokyo. Show all posts

Saturday, October 13, 2012

A Tokyo film and a Berlin slideshow


Due to the amount of stuff I've tended to load onto my plate, it's taken me two years to complete a project that runs to a total of just 21 minutes. I will bring the complete fruits of that project together in another post, but in this one I'm delighted to finally be able to present the last film in the 'Japan Shorts' series.

Above, you can find 'The Crossing', the fourth of the four short films I've been making with footage shot using a Flip Ultra HD camera on my last trip back to Tokyo (in 2010). This film incorporates footage from around Shibuya Crossing, probably the world's busiest pedestrian intersection and a heck of a place for standing and watching the people flow from. All of the films make use of Creative Commons-licensed music for soundtracks, and 'The Crossing' runs with Mario Mattioli's 'Granados: Spanish Dance n.2', sourced from ccMixter. There's also a reading (by me) of a really old Japanese poem (in translation, of course), a first attempt at voiceover in one of my recent films, and a few new editing styles that resulting from upgrading my video editor to a more recent version.

Hit me up in the comments below if you like or loathe the film. This page features the YouTube version, but it's also available to view with larger in-page screen estate on Vimeo. Ahead of the post that features all four, follow the links in the brackets to find posts on the other three shorts ('Makes The World Go Round', 'In Motion' and 'J-Journeys').

This short film really concludes a period of work that has been heavily influenced by my time in Japan. This period included three CD albums, one book, hundreds of photographs, and these four short films. Coming to the end of this period is really exciting as it means that other ideas which have been bubbling under in my mind for a long time are finally going to start having a little more space. However, it's going to be quite a while before I can get going on any more of these new projects. I have another year of my MA to go. I have another film project I'm working on, which is going to be four minutes longer in playing time than 'Japan Shorts' but will need to be finished in about an eighth of the time (it's a wedding movie). There's also, y'know, other life stuff going on too :-)

As I'm not sure when I'll be able to get the next post up on this blog, I thought I'd cheekily combine two posts into one and finish this with the photo gallery of pictures that I took in Berlin earlier this year (hadn't got round to putting them up here yet). A fantastic city with a great vibrancy combined with the deepest, darkest historical shadows - take a look at a few of my grabbed moments below.


Saturday, April 21, 2012

New film: 'J-Journeys'



More video.

It's great having spent much of the past two months working on a project to then be able to knock a different one out in about an hour. This short film, the third to feature footage shot on my last visit to Japan, takes a leisurely meander through Japanese suburbia as seen from a bus and a train. It also features a great mellow piano tune by Chris Zabriskie, which under by the unlikely name of 'That Kid in the Fourth Grade Who Really Liked the Denver Broncos' (sourced from the Free Music Archive and issued under CC-BY licence).

The film is more of a mood piece than a story (in other words, nothing much happens), but I rather like the pace of it. However, over 4 minutes is probably a little long for a web video where not much happens!

I chose to debut this film on Vimeo rather than YouTube this time. No reason, and it'll find its way onto YouTube as well, but always good to get to know another platform better.

Saturday, December 24, 2011

New film: 'In Motion'


With over 200 exits and used by millions of people daily, Tokyo's Shinjuku station is the world's busiest train station. It serves as the rapidly beating heart of the city's commercial districts, and is the main hub through which commuters pour in from across the Kanto plain and beyond every day. This makes for quite a sense of bustle to the passing observer. 

'In Motion' (the film viewable above), which aims to capture a slight flavour of that sense of rush, busy-ness and movement that characterises much of the capital, is the second in a planned trilogy of short films about Japan. The first in this trilogy is 'Makes The World Go Round' (issued in 2010 and now with over 2,000 views on YouTube), with a final film due at some point in 2012 and based on footage taken at Tokyo's Shibuya Crossing.

Shot with a Flip UltraHD pocket camera in late 2010, much of this film centres around a sequence captured by placing the camera on the floor of a station walkway. This had the effect of representing the rhythm of hundreds of shoes as people passed by the eye of the lens. The remainder of the film was assembled from other footage shot in the same station. 'In Motion' was largely produced in iMovie HD, with opening credits put together with PowerPoint 2010 (in the absence of Flash).

The film also makes use of a Creative Commons-licenced song as its soundtrack. The track is called 'Machines and Muscles', an appropriate title for the main factors of motion in the film, and is by a psychedelic drone band from Chicago called Cave. An instrumental number originally featured on the flip side of the 7" single 'Butthash', the song has a certain 'Baba O'Reilly' feel to it which contributes well to the groove of the footage.

Feel free to check out the new commenting system on this blog by dropping by with a word or two about the film.

Sunday, August 28, 2011

Free music: Shelf Life - 'Best Before End'


This is the second of two free albums offered on this blog as part of the promotion of my recently launched new website. As with the Control K album, feel free to download the tracks, pass them around, remix them or whatever, with two simple conditions:
  1. Give an Attribution if you choose to republish (in whole or in part). The simplest one is to Shelf Life. For enhanced attribution, you can add songwriter credits ('Pates/Cheryo'). A linkback would also be appreciated (currently to www.myspace.com/shelflifetokyo)
  2. If you want to use the tracks commercially, please come back and ask.
'Best Before End' was written, recorded and released over a 12-18 month period, with the collection finally being issued in December 2007. The band is a four-piece, with me on vocals, Cheryo on guitars (and much more), his brother Chisato on drums, and Jun on bass. The sound is traditional guitar rock - think Beatles, think Clash, think Who, etc - with the occasional Japanese twist. The album was conceived as a concept album, intended to be listened to in one sitting, and covered themes like the Iraq War, the city of Tokyo and global warming. 

It was first made available on CD, then given an iTunes digital release, and now released for free under a Creative Commons license. Although you can download the tracks for free, if you wish to buy them from iTunes, that's still possible and all proceeds go towards the recording of the next album.

We have begun the slow task of writing the next album, made that much harder because I no longer live in Tokyo. Once the writing has been completed, the intention is to record the album. This will be a big challenge as we'll be trying to do it with no budget, significant language challenges and again not being in the same physical space. Whether Shelf Life makes it to album number two remains to be seen, but the intention is definitely there!

Go to the Shelf Life page at PatesOnline to find out more about the band.

Monday, May 23, 2011

A Coca-Cola crown

A Coca-Cola crown by Globalism Pictures

A Coca-Cola crown, a photo by Globalism Pictures on Flickr.
Sometimes, you throw a bit of content out into the wilds of the web and it comes back with surprises. There's often no way of knowing which bits will be a hit and which'll be a miss. This one seems to have become a surprise hit.

I'm not quite sure what makes this picture such a special one, but as it's not been up long and as of today, it's my sixth most viewed picture on Flickr. Took it in Shibuya last September.

It's got a certain symmetry to it that has an appeal, but it's also just an office building with a Coke ad on top of it too. It's not a great use of light through the canvas of a camera lens either, but it's always a pleasure to go down well somewhere.

This post is my first one coming direct from Flickr. An experiment, if you will. It might need a little formatting afterwards, but it could well be an interesting place to blog from...

Saturday, May 07, 2011

Shibuya gallery


Sometimes life just moves faster than you can keep up with. Perhaps it's the times, perhaps it's my age, perhaps it's my ongoing refusal to stop taking on more than several things at a time that I don't get enough of a chance to reflect on them. Whatever it is, I seem to be constantly running to catch up with my shadow, which remains too far ahead of me. It's been a pretty whirlwind six months - finished the DELTA, then there was the Arab Spring, then the Japanese earthquake, IATEFL, a Masters application, now the Brighton Festival. A full-on wrapping up of my thirties anyway. All good.

One of the things in my backlog of 'stuff to get out there' has been a bunch of pictures from my last trip to Japan - shot during a few hours walking around Shibuya. Strangely enough, they almost seem like images from a different world now, a pre-earthquake one. Anyway, better out than languishing on the old hard drive anyway. There's more to come from that trip at some point - probably drip fed out over the next six months!

Wednesday, May 04, 2011

With the lights down low (WN0036)


Another time-lapsed and tilt-shifted video gem here, from darwinfish105. This beautifully-crafted short film shows Tokyo, a city that drinks electrical power by the tanker load just to get up in the morning, with a collective cranking down of the demand. 

Japan here reduces demand in the post-quake era, rather than struggling to supply. It goes to show that in times of need and with the right mindset, changes in urban behaviour can be achieved.

Thursday, March 24, 2011

Message from a Nagasaki granddaughter


Emotions can move in wildly different directions after tragic events such as the recent series of disasters in Japan. Some in the areas most affected can veer into deep despair at the devastation or anger of the scale of loss. Others look to find positivity and ways forward, despite the immediate challenges they face. Others still get on with the job and just do what they have to do, as the before and after photos in this article demonstrate (six days and a brand new road - that's pretty impressive!).

Those living further away from disaster zones are also subject to such variances in mood, such as the uncertainties being reported amongst Tokyoites over the ongoing safety of the city (e.g. aftershocks, radiation clouds, unsafe drinking water). Further afield again, there is the pain felt by expatriates and others, not in the country but still umbilically connected via family, friends or heritage. Personal examples I've seen are people in the Japanese community at the college where I work and in the wider community of Brighton who have been galvanised into action to raise funds for their countryfolk and reconstruction efforts.

One such message of positivity and action, discovered via one of my social networks, comes from Nagasaki. It was written by the granddaughter of a survivor of the atomic bombing of that city, and it reproduced in full here, with permission of 'Ten Thousand Things' (the site where it originally appeared).

There were a number of reasons for republishing it here:
  1. The message of positivity amidst all the gloom, and the subsequent desire to spread others' good words.
  2. The list of linked (generally grassroots) resources that it contains.
  3. The link that runs from the past (the experiences of Nagasaki), through the present (the effects of the Touhoku quake), and on to the future, with the message for a new way forward.
  4. The lessons for those not affected by the quake/after-effects. For example, although in global/international discourse there is no longer talk of First World, Second World and Third World, a distinction is invariably made been the developed world and the developing world. This piece of writing is the first time I've heard reference to an 'overdeveloped' world. This suggests to me that highly urbanised, largely post-industrial societies such as those of Western Europe, North America and Japan itself, societies of hyper-consumption and economic mirages, are not just ends in themselves that all other nations should aspire to become - a final stage in the evolution of national societies - but examples for the world of what happens when 'growth at all costs' becomes the dominant mantra.
  5. The lessons that Japan has for the rest of the world as it recovers from this disaster.
I'll end this post with a quote from the article below that urges a rethink over the use of nuclear power, and then hand over to the writer:
Today, it seems Japan is once again being poised as a teacher. The wounds emerging from this crisis serve to underscore, once again, just how much the splitting of the atom remains a volatile global threat at many levels: personal, community, state, and environmental.


*****

'Rise like Tsunamis after the Earthquakes' - an open letter speaking to grief, hope and sharing resources for healing

Greetings. My name is Crystal Uchino, and I am writing from my home in the southern prefecture of Nagasaki, Japan.

A somber dirge continues to play in the hearts of all of us here across Japan in the wake of this earth-shaking, tsunami and subsequent nuclear crisis. This trifecta of disasters is truly beyond humbling: It is a living, grotesque and sobering nightmare that will haunt the world to come. As the after effects of both the earthquake and the tsunami continue to be revealed, so grows the depths of sadness over the magnitude of the situation. Watching events unfold over the news daily in real time delivers new quakes to test the resilience and endurance of our hearts, faith, the depths of our empathy, grief and determination to act.

The death toll has continued to climb daily, as does the number of homeless and seeking shelter from nuclear fallout. Additionally the conditions within the shelters appears grim: inadequate infrastructure to provide sufficient food, warmth, and sanitation. New explosions at the nuclear power plant in Fukushima, and large aftershock tremors continue to rock this already shaken nation. The apocalyptic images we see on television news conjure memories of the damage reaped by the atomic bombs dropped here over sixty years ago, as the possibility for a new generation of Hibakusha ('nuclear explosion-affected peoples') emerges as a frightening reality.

Today, it seems Japan is once again being poised as a teacher. The wounds emerging from this crisis serve to underscore, once again, just how much the splitting of the atom remains a volatile global threat at many levels: personal, community, state, and environmental. Japan, despite past injuries of Hiroshima and Nagasaki, and its seemingly anti-nuclear principles (non-production, non-possession, and non-introduction of nuclear weapons) has become a world leader in nuclear development and production. According to Green Action Japan, before the quake, there were 53 nuclear power plants in operation in Japan: 53 nuclear power plants in a small island country notoriously vulnerable to earthquakes and other natural disasters.

My heart and prayers are with the people of Fukushima and the Tohoku area; it is they who are now shouldering this horrific burden so that the world may be reminded again of just what a painful and costly responsibility we bear when we allow bad stuff to enter our communities.

Around the globe, people are awakening to the reality of our fragility and vulnerability surrounding the dangers of all forms of nuclear development. Barely a week has passed since the initial earthquakes, but as a world we have grown up in ways that we had never hoped to; and with our newly realized maturity, we are challenged look ourselves in the face, to grapple with this saddest of lessons, and answer the question of how we will begin to take responsibility for our part in allowing bad stuff to enter our communities, on both the local and global scale.

The desire to help, to constructively affect the situation here in Japan, is echoing around the world. And the ways each of us can tangibly work to affect some immediate relief are just beginning to be known. Still, because I have gotten so many requests from folks for suggestions on how they can support things here, I wanted to share some of the initial resources I know of with you. These links offer the best grassroots alternatives to donating to the Red Cross that I know of at this time.

Second Harvest Japan: This group has been working at the community level feeding people in Japan for years.

Japan Volunteers: A great resource page consolidating links to support relief efforts, relevant to folks living in Japan and oversees. It is being updated daily with new resources as they develop.

Call for Home stay for Earthquake Evacuees (Only for folks currently living in Japan)

Translators United for Peace: For those who are bilingual. 日本の原発奴隷――原子力発電所における秘密

A friend of mine once wrote some song lyrics calling for people to 'RISE LIKE TSUNAMIS AFTER EARTHQUAKES'. It is a most hopeful metaphor for me in this time. And today, I received these words in an email from another friend: 'When Mother Earth speaks, all we can do is listen. But when humans' dangerous passion for energy consumption has wreaked such toil on her children, then we must act'.

The current genpatsu nanmin ('nuclear power refugees') have translated the reality of nuclear development into a language that the world can feel. Humanity is speaking clearly, and I feel as a result of this new communication, though painful, that many beautiful, hopeful and inspiring things have been brought to the surface. I have been so moved by the feelings of sincere and unconditional caring and support I have received from friends, family, and even strangers this last week; and equally as moved by the demonstrations and vigils manifesting in a multitude of forms that have been erupting with passion all over the world.

You may think me young, naive, callous or even insane to bring up politics in a time like this. But I tell you that I have prayed at the graves of unborn aunts and uncles murdered by the atomic bomb disease and I feel entitled to tap into ancestral lessons this week. It is from my vantage point of both proximity and distance from this crisis as a current resident of southern Japan; from my vantage point of both proximity and distance from the horrors of Nagasaki and Hiroshima as the granddaughter of a Nagasaki Hibakusha, that I say with great hope and longing that this darkest of nightmares may serve as a catalyst to once again pump life into the stagnant pools of the anti-nuclear movement, to overflow them so that the energies built and created there may also nourish other movements. To me, the words 'activist' and 'healer' are interchangeable.

This tragedy has been an ugly and unsought vindication of many undersupported social-justice struggles, most poignantly the anti-nuclear movement, which warned about this eventuality time and again. Most people sat in silent denial as more nuclear power plants were constructed, not just in Japan, but around the world, and many people sit even now in disbelief, quietly burying their fears as development plans for hundreds of more (albeit 'safer') nuclear reactors remain on the discussion tables concurrently with the grotesque suffering of tens of thousands of displaced peoples. But in this cold and dark time resides new growth. A new spring is beginning and each day we rise anew, we each are gifted an opportunity to carve out a more sincere definition of accountability, to hold ourselves and each other responsible in new ways. Although our recent wounds are still gaping, still throbbing, the time is now for us to rise like tsunamis after earthquakes and once again recommit ourselves to the healing of the future for the next generation.

I've spent several days writing and revising this letter, it started out as some brief resource suggestions to friends but morphed into this. I was propelled to keep writing by my desire to combat the helplessness I feel sitting here, relatively safe, overdosing on miso, kombu, and the news in the southern prefecture of Nagasaki, Japan, as coordinated relief efforts have not yet begun taking volunteers. This time of mourning has given me a good opportunity to reassess what I hold important and clear out some clutter to make room for the work that lies ahead. Many exciting possibilities for new growth and new cooperation are resonating in the undertones of this funeral song. Those of us living in the overdeveloped world have become so accustomed to the ubiquitous take take take lifestyle that we have forgotten how to stretch our arms, to reach them out, to reach them up! in times when our spirits long to do so the most. This is an open letter to anyone feeling helpless at this time: let us relearn the actions.

It is my hope that some of the things said and resources within these words will be useful to you, please feel free to share them with others. The links below are also great places to continue to sober up through educating ourselves and get inspired for the long term work that is to come.

Nuclear Information and Resource Service: Updates on the situation at Fukushima and simple ways to engage in the movement to end nuclear dependency

Democracy Now: Sober news reporting.

Midnight Apothecary: Some recipes, because protection, healing, and action begin inside the body.

Anti Atom Demo in Germany

Anti Atom Demo in France

A look into the history of 'Japan's Nuclear Nightmare'

This is a great sticker

An excerpt for an article from Color Lines:

A little over a week before an 8.9-magnitude earthquake ripped open a fissure in the Earth, triggered a deadly tsunami and set off a potential worldwide nuclear catastrophe, House Republicans introduced a bill to permit 200 more commercial nuclear reactors in the U.S., 'enough to triple current megawatt capacity, by 2040'. Tucked into that bill is a clause that revives the long debate around nuclear waste storage in Nevada’s Yucca Mountain, a move that Native American and environmental groups have been resisting for decades.

Japan quake radioactive material monitoring post MAP
東日本大震災・非公式・放射性物質モニタリングポストMAP

Blog post by a Tokyo resident connecting a bunch of dots and sharing a bunch of really great links

Many of the words flowing from this page have been pretty heavy, so I wanted to share just one small anecdote with you.... This past weekend I went to the post office. And so I'm at the post office right, and there are people lined up out the door of the post office sending bags of rice and boxes of water or fresh vegetables to loved ones up north and I thought to myself...'What kind of apocalypse is this?...No one can get food or water, but they can get mail?!'

On that note, I end this letter in solidarity and with hope, taking comfort in the knowing that the same moon shines light down on all of us. Each day I wake up to the budding and flowering of the ume, momo, and the sakura as well are beginning to bloom, as if to say 春が来るよ ('Spring is coming!').

Crystal K. Uchino

Friday, March 18, 2011

Some light relief - a tune about green tea


A tweet from Tokyo appeared in my stream a few days ago which made me think, and reminded me a little of something that Michael Franti said after a visit he paid to war-ravaged Iraq.

He'd been writing a lot of angry protest songs following the US-led invasion. For his documentary film 'I Know I'm Not Alone' he visited Baghdad and did a walkabout with a guitar and some of these songs. I don't have the original quote but remember a comment of his that the local people had asked him why he wasn't singing happier stuff. An interesting difference in perspective there - Franti might have been writing for a home audience but when he went to play for the Iraqis, they just wanted their moods lighted from all the war stuff going on around them rather than being reminded of how bad everything was. The power of music...

I'm sure that many Japanese (those not actually in the disaster zones of Sendai or Fukushima) having been feeling similar feelings over the last week - a need to be cheered up but something lighter than all the dark, dark news that has been spreading all over their country.

While skimming through Soundcloud two days ago, I came across this delightful little number. Clearly someone else wanted to show some support and lighten the mood. So here it is...'Japanese Green Tea' by Languid.

Japanese Green Tea (My condolences to those in Japan) by Languid

Tuesday, March 15, 2011

Tokyo update

Sendai, March 12,2011 by U.S. Pacific Fleet (issued under licence: CC-BY-NC)

Here is the latest email send from my friend Paul in Tokyo:

Prime Minister of Japan press conference at 11:00AM Tuesday morning in Tokyo. Quick summary:

Fukushima Nuclear Plant #1

  • Reactor #1 - Suffered hydrogen explosion on Saturday
  • Reactor #2 - An explosion of unknown origin occurred within the containment vessel at 6:15AM today. It looks like some fuel rods are exposed. Currently being investigated
  • Reactor #3 - Suffered a hydrogen explosion on Monday
  • Reactor #4 - Exploded approximately 30 minutes after the #2 explosion, currently on fire, reactor is not in operation, but contains spent fuel rods that is creating a hydrogen oxygen build-up similar to reactors 1 and 3. The substantial increase in radiation may be coming from this fire.

Radiation levels immediately at the plant are substantially above safe levels. The 10 and 20 km radius areas are now being evacuated as those areas are no longer considered safe. People are being told to stay indoors between 20 and 30 km from the plant.

It is not clear if the explosions with #2 and #4 this morning are related.

The Onagawa plant has somewhat increased levels, but not at dangerous levels. The substantial increase I noted in the previous email was thought to be from a cloud moving north from the Fukushima plant as levels dropped quickly after the earlier high readings. The Tokai plant (75 miles from Tokyo) has been confirmed to be stable. It does have a broken pump, but all other pumps are working. The fuel rods are cooling down normally and the plant is operating smoothly. The Fukushima, Onagawa and Tokai plants all shut down operations when the 9.0 earthquake occurred, so nuclear reactions are not happening. The fuel rods in the Fukushima plant are still too hot, and being cooled with sea water as all other forms of cooling have failed due to earthquake and tsunami damage.

To keep things in perspective, the new radius around the Fukushima plant is 30km. We are ~260km from the plant here in Tokyo. Also, this is not the same situation as Chernobyl. The plant in Chernobyl was incredibly poorly built and was in full operation when fire broke out. In other words, it was still creating nuclear reactions while burning. The Fukushima plant is not creating nuclear reactions. It is more similar to the situation at 3 Mile Island in Pennsylvania in 1979. Similar. Not exactly the same. Each situation has it's differences, of course.

Winds over the stricken nuclear plant are blowing slowly towards the Kanto region, which includes Tokyo, Reuters reports. However, the winds are expected to change between 12-2PM to blow from the west to east. We just got word from the BBC that there is a slight increase in the level of radiation in Tokyo.

Good links that I have found for information are:

The BBC live update page

The NHK English video stream

I agree with a post on the BBC live site by a man in Saitama in Japan who writes:

Ben Slaney, from Asaka City, Saitama, Japan, writes: "Most of the shops are closed and quite a few Japanese people have left Tokyo to stay with relatives further west. Right now it's very difficult to understand who to trust. While the government wants to minimize panic, the foreign media wants to exaggerate the importance of the latest developments to create a more compelling story. This is leaving many foreign nationals in Japan confused as to who to believe."

---------------------------------------------------

School on Monday was good and, mostly uneventful. Except for the 6.0 earthquake in the middle of class. That was fun. The school rocked around while we hid under the desks. The early warning system that is in place here is amazing. A siren went off throughout the neighborhood about 10 seconds prior to the earthquake, which allowed us to move under the desks prior to the 'quake starting. Once the earthquake was finished, we waited for the all clear, and proceeded with the lesson. No big drama. Just life post big earthquake. I guess there was concern about a tsunami, but, luckily, nothing emerged.

I stayed home today (Tuesday) as I woke up with a stuffed nose, cough and fever. Yoko and I are staying in our apartment, and discussing the situation and our options with friends and family. We are entertaining ourselves by sending audio messages to each other on Google Translate. We are eating lots of brown rice with salt, miso soup and kelp. This mix of food was found to be helpful to victims of the Hiroshima bombing. Hmmmm...that was a weird sentence to type.

In Tokyo, many restaurants are closed now as they have run out of food. Also, many stores have bare shelves as people are still stocking up. Surprisingly, the convenience stores are full of bentos!

The streets are jammed with pedestrians and cyclists, because the police are limiting the number of people allowed in the different stations to catch the trains and subways. Both the trains and subways are running at 50-60% of capacity and are packed. Some train lines are unable to run at all as the particular route travels through areas in which multiple black outs are taking place. It is difficult and uncomfortable to travel by train right now.

Lines of cars at gas stations are all over the city. I saw a "short line" that had formed at the local gas station that went down the street and around the corner. Probably about a quarter mile long.

Despite all of this, everyone is staying calm, fairly friendly and, despite the stress, things are okay.

The situation in Northern Japan is dire. Many people are missing, the death toll is rising every hour and more than 500,000 people are displaced. The temperatures this week are expected to drop below freezing in many areas of Central and Northern Honshu. Again, if you can help in any way, please follow this link:

Google Crisis Response page for 2011 Japanese Earthquake/Tsunami (English)

Anyway, you probably know a lot of this already, but I just wanted to give you an idea of what is going on here.

I'll be in touch!

Monday, March 14, 2011

After the quake

Sendai, 26/02/2011 (NASA satellite shot: before the tsunami)

Sendai, 12/03/2011 (NASA satellite shot: after the tsunami)

We awoke on Friday morning and switched on the PCs, as we do every morning, and the news of the quake started coming in - shortly after it had first hit. It continued throughout the day, with my wife fairly desperately trying to get hold of her family who live in Yokohama. Once confirmed that they were alive, we got caught up in the rolling news cycle, which has been flowing ever since then.

It's absolutely horrific to see the devastation that has been wrought on parts of the country, reminding her of the images of Kobe in 1995. I've felt fairly speechless about the whole thing and have just been trying to provide whatever comfort I can. Having spent almost five years of my life in the country and with a large number of my friends still there too, I'm also affected by what I've seen, but couldn't begin to measure up to what she must be going through. I experienced quakes when living there, but nothing like this. Then again, neither has anyone else alive in Japan either, by the sounds of it.

Google have set up a useful crisis page, with a button for donations to the Japanese Red Cross - I've been directly people to that page and asking others to make donations to help with immediate relief and recovery efforts. I would encourage readers of this blog to click on the links and make a donation of whatever size. Japan may be a very technologically advanced nation in many ways, but this is the worse quake it their history and they deserve all the support of the international community that they can get right now.

An American friend of mine who lives in Tokyo and works for an international theatre company emailed the following report to his friends and family, and gave me permission to republish it here. Some of the news might now be out of date, but it gives a flavour of the day it hit for those 200km away in Tokyo and how things are playing out now:

First, all of the members of Tokyo Novyi Repertory Theater are doing good considering the circumstances. For those of you who know Nitta-san, the producer of the theater in Yuda in Iwate prefecture, he was able to get through to us tonight, and told us that the cell phones are working; however there is no power or water in Iwate prefecture. Otherwise, he and his wife are alive and well.

Here is the update from Tokyo. I have typed this up over ~3 hours on Saturday night Tokyo time in between a couple of trips to the store and watching the news. And the news is coming in fast and furious and is not pleasant...

There is quite a lot of apprehension right now about the huge explosion at the nuclear power plant in Fukushima prefecture north of Tokyo. It just came across on the news that the explosion was the outer containment section of the reactor, that it was a hydrogen-based explosion and that the core is not in danger of exploding. The spokesperson also said that they are now pumping seawater into the reactor to cool it down. Everyone here certainly hopes the core is able to be cooled. Facing a worst case scenario is not something we would like to do. Iodine is now being passed out to citizens within the 20km evacuation area surrounding the plant. Fukushima is ~150 miles north of Tokyo.

In addition to the reactor problem, and to a lesser degree, there is a large fire in a refinery in Chiba that is rumored to be sending large amounts of pollution into the air in and around Tokyo. We have been advised to limit our time outside, to cover up our body, and to use umbrellas if it rains to prevent further exposure to contaminants.

Rolling black-outs throughout Tokyo could begin tonight as extra power will be sent north to Sendai and Iwate to assist with the rescue efforts.

The stores have been cleared out of most food and all water as people here are hunkering down. Yoko and I have a solid supply of both plus other needed life supplies.

We have been getting regular earthquakes. I really don't know if they can be called aftershocks as they are fairly large on their own. Many have been level 5-6.5. In fact, we just got another 6.0 as I typed that last sentence that was centered off the coast of Japan near Fukushima. We just spent a few minutes bouncing around lightly.

Yoko has some kind of alarm on her phone that notifies her when there is an earthquake about to hit, and it went off several times last night while we slept. The alarm sounds somewhat like the alarm on a submarine when one of those vessels is submerging, so it definitely woke us up. ;-)

A few friends in Tokyo proper have reported no water, so they are getting drinking water delivered by their local authorities on a daily basis.

Several thousand people are missing in the prefectures of Miyagi and Iwate, and it does not look promising...

----------------------------------------------------------------------------

The experience of being in an earthquake this big was certainly mind blowing. I was working on the computer at the elementary school where I work part-time, and heard the 'quake before I felt it. I was sitting next to a window, so I moved away to stand next to my desk. It started very gently, and we thought it would be just an ordinary Tokyo light tremble. In fact, one of the teachers, Nishiyama-sensei, saw the concern on a co-worker's face, smiled, winked and said "Daijobu. Dai-ai-ai-ai-jobu (basically, "No problem. No pro-o-o-o-o-oblem."). The intensity suddenly ramped up, a loud "BOOM! BOOM!" started, the building began rolling around, Nishiyama-sensei's expression changed drastically and we all dove under our desks. The school rattle and rolled, and withstood the earthquake very well. Only a few ceiling tiles came down. We have earthquake drills every two weeks or so, so everyone was prepared, and the teachers, staff and students calmly moved out onto the field once the earthquake ceased. The kids were really amazing. The students from one of the 5th grade classes walked out in file through the teachers' room, smiled and said hello in English as they passed and even offered a few high fives. While we were on the field a large aftershock hit and kinda freaked us all out. Then a regular announcement started that continued for the next two hours. A long wailing siren blared followed by this deep, creepy, computerized voice that boomed out over loudspeakers all over the area in both Japanese and English, "This is a tsunami warning. Please move to higher ground immediately." I felt like I was in a Godzilla movie. Beware the monster...The area where the school is located (Takanawadai in Minato-ku) is on top of a tall hill, so we were in one of the safest areas of Tokyo in case of a tsunami.

Over the next hour, parents and grandparents came to pick up the kids, and then it was just the teachers and staff who were left. While we were sitting in the teachers' room, after the students were gone, we watched the news and saw the tsunamis hit Northern Japan. At the same time a really large aftershock hit, which might have been the level 7.1 earthquake listed on the USGS site. After that things, calmed down significantly. The authorities recommended that all of us stay, but I really wanted to get home to Yoko. So, after sitting around for another 90 minutes of fairly quiet time, my American co-worker and I decided to walk down to the nearest train station to find out the status of the situation as the internet and TV reports were vague about train stoppages. When we got to Shinagawa station, we saw a mass of people in various states of standing around. There were approximately 200-300 people lined up to use the pay phones, another couple hundred lined up at the taxi stands and a huge mass of people sitting and standing quietly in the vast station. We tried to get information from station staff and other people to no avail, and then around 6PM an announcement was made that all trains were offline for the remainder of the day and possibly the next. After a short discussion, we decided to make our way on foot to our respective areas.

The walk home was kinda fun. We walked from near Shinagawa station in southern Tokyo to Nakano-Sakaue mostly via Yamate Dori (avenue). During the first hour there were so many people that I was literally shuffling pressed against the person in front of me while making our way to the next station in Osaki. In Osaki, we stopped to use the toilet at a convenience store, and pick up some snacks and water. The line for the toilet was about 30 minutes long and the shelves were mostly bare of food (we were able to get a few bags of chips). We saw a group of salarymen, who were probably either staying at the office or in a hotel, buying a boatload of booze. They had a rack of beer, two bottles of whiskey, snacks and soda, and appeared to be having a great time. Once we were done with our pit stop we continued on our way with thousands of other people. I want to emphasize that I am not exaggerating the number of people. Thousands. The sidewalks were full and in some places the people would just take over lanes of the roadway. Automobile traffic was barely moving, and, we had no desire to catch the buses crammed with people stuck in traffic that we were passing on foot. The people we encountered were generally light-hearted and orderly. Everybody just wanted to get home. We passed a few local bicycle shops, and they were each doing brisk business with upwards of twenty or so customers in each shop. Several restaurants, condominiums and apartment buildings set up rest areas for people with water, warm drinks and access to toilets. My admiration for the Japanese people increased massively with this experience. The behavior of people was pure grace under pressure. I saw only one...one...person causing a problem the whole of my journey.

My cell phone battery had died prior to my departure from the school. This was not a problem for phone calls as those were not going through, but it was a problem for email 'cause that was working. We passed many pay phones with lines of 40-50 people before we found a phone with one lone person using it in Naka Meguro. I was able to reach Yoko on our land line, we updated each other after no contact for 4 hours or so, and then it was off to complete our journey. We finally arrived in Nakano-Sakaue around 10:30PM. My co-worker was exhausted and had decided to find out if there was room in a hotel. Luckily, we bumped into another teacher we both knew, and he told us that one of the subway lines had just started running. This allowed the co-worker I had journeyed with to take a train to within one station of her home. I was a mere 5 minutes from my home in Nakano-Sakaue. Waiting for me was a smiling wife and a hot meal.

Saturday, October 23, 2010

Japan + psychedelic folk



It's been a while since I popped anything up here and as usual, the backlog is building up. With that in mind, I thought I'd add a little late night music for you all. The above album is mellow and dreamy, contains some beautiful playing, and like much of what I put up here, is another window into Japan that is somewhat off the well beaten track of cherry blossom and skyscrapers.

'My Turntable Is Slow' is Hiiragi Fukuda's second album and it was released on cassette by a Belgian label called Sloow Tapes, who described the songs as 'like dancing shadows reflected in opium clouded jade'. The vocals are understated and delivered in an echo-laden, monotone, spoken-word style, wit a little French thrown into the mix for good measure. The sound of the crows that are ubiquitous in Tokyo's suburbs and back streets are woven in amongst hypnotic grooves, while elsewhere marimbas blend with baby chatter.

Frantic in parts, languorously catatonic in others yet all undercut with the pickings of a very gifted guitarist, the album is available as to download above or from the Free Music Archive. Served up to complement the album is a video of another one of his songs, which was shot in Kichijoji (one of my favourite parts of Western Tokyo).

Listen while lying down.

Friday, October 08, 2010

New film: 'Makes The World Go Round'



What do love and sushi have in common? Well, they both kind of make things go round. They say that love does it for the world and sushi...it's the reason for those belts drives that spend their working days in perpetual motion, serving up fish and rice for the hungry.

'Makes The World Go Round' is a short film shot in Tokyo during my visit this summer. It is the first in a series of shorts to use field footage filmed with a Flip UltraHD camera and Creative Commons-licensed music. The camera is roughly the size of a mobile phone and takes surprisingly good quality pictures. The action, if you could call it that, focuses on a kaiten zushi restaurant in Kokubunji, that Western Tokyo suburb where I used to live.

For the uninitiated, kaiten zushi (also known as 'conveyor belt sushi' or 'sushi train') is where sushi is placed on a conveyor belt that winds around the restaurant and delivers the food to customers as they sit. They are one of those uniquely Japanese things that a visitor has to experience to get a little further under the Japanese soul. The restaurant in the film became a local favourite, and I often spent a lunchtime there with a bunch of Australians, Americans or Canadians getting their fish fix. Having also seen other footage shot in such restaurants on the Web, I also couldn't resist this time dropping a camera myself onto the belt as it went round and round.

This short is soundtracked by an ensemble called The Years, with a wonderful track titled 'Let's Stay In Love'. It's got a real vintage soul groove to it, coming at you like an early 70's Al Green or The Family Stone as they're just waking up. Issued under a Creative Commons BY-NC-SA licence, the track seemed to perfectly fit the pace of the train. It's also the kind of tune that, like a 7" single you'd have spent a month saving up for as a kid (am I showing my age here?) and end up wearing out from overplay, has been getting some serious action on my hard drives.

I usually try to be quite picky about the standard of images I put out, but there were some features of this clip - the camera itself making a cameo, jerky movement as the belt navigates a turn - that just seemed to fit, so I kept the editing to a minimum. Stay tuned for more in the Japan shorts series from Globalism Films.

Raw like sushi. Yeah.

Friday, September 17, 2010

Shelf Life shot, at Rubber Soul



Some great pictures were taken at the Shelf Life show earlier this month by Björn Neumann, a regular at Rubber Soul as well as a very talented photographer.

Either click on the above slideshow or here to view the full set. Video footage to come later on this year.

Back from Japan

Yokohama scooter boy

My wife and I returned to the UK last Sunday from our trip to Japan - our first time back there in about two and a half years. I was thrilled to be back in the country again and the break from England was much needed. I was also very happy to be in temperatures 15-20 degrees higher than the ones we'd left behind in Britain as it meant getting some semblance of a summer, although she was rather less keen on the heat. The humidity is pretty stifling at the best of times.

The main reason for going back was to finally hold a Japanese leg of our wedding celebrations, with a small gathering in Yokohama for the friends and family members from her side that naturally weren't able to make it over for the English leg back in 2008. An attempt at rebalancing the more Anglo-centric first version, this meant that she covered the organisation of this one and I went along with whatever the plans were. A lot of the time, I was a back-seat passenger staring out at the back streets of Yokohama as we moved from store to store and place to place, stocking up on necessary goodies and making arrangements.

Near Tokaichiba station

Although I took quite a lot of photos, I wasn't that happy with most of them. I guess many of them were a little dashed off or ill thought out, but there were the odd few gems that turned up on the memory card at the end of the trip. I also took plenty of video footage, having invested in a new Flip UltraHD video camera prior to departure. This footage was much more satisfactory, which was an interesting development in documentation of a visit. However, as the next few months are fairly solidly packed with work-related commitments, there's going to have to be a gradual drip-feed out of this year's Japan content rather than a gushing out.

Back streets of Kokubunji

I had a little bit of time to myself too, and took full advantage of an opportunity to both squeeze in a gig with the band - our first in two years - and catch up with a few old friends. It was funny to be back on the trainlines of Tokyo, heading from suburbs to city centre on journeys both intensely familiar and now with the veneer of being slightly alien again. Interestingly, to my eyes Tokyo hadn't changed a great deal since I'd left, which for a place that is seemingly built on constant reinvention suggested that it was finally settling down. Letting Shanghai or Dubai claim global attention for futurism junkies, Tokyo's actually chilling out a little.

Boat fan, Inokashira Park

One friend had decided to move back to Tokyo again having left and returned to the US several years ago. It's funny how the place gets into your veins. Although I was a lot more unhooked from the internet whilst there, I did post the occasional Facebook update (just keeping things within smaller circles). My comments about being back often triggered exclamations of nostalgia or envy from connections that had spent time there themselves. Similar ones to the comments I tend to make when the same people go back themselves. Most of the other folks I caught up with whilst in town (largely all non-Japanese) seemed perfectly content to carry on letting the flow of the city keep moving them along.

Mitaka junction

Because there was a fair amount of time moving around and only being static for brief periods of time, I looked at the bigger things that I could capture whilst passing through. This meant taking in more of the architecture clustered around back streets or near train stations, occasionally grabbing a decent enough picture of a moment passing. Tokyo's not only long been a great testing ground for global architects looking to try out an idea they could not likely get away with elsewhere, but also fascinating for the mixture of buildings that sit next to each other and the way that space is used.

Shadowing Shibuya salarymen

I didn't get to spend as much time in the centre of Tokyo as I did in the suburbs of Yokohama, but grabbed the odd moments when available. I had a couple of separate meetings with people in Shibuya, the place that's always given Tokyo its futuristic feel and where foreign camera crews often head for their iconic footage of the city. Bewildering as it can be to the first-timer, the chaos of the crowds can be a balm for the seasoned Tokyophile.

Cerulean Tower escalators, Shibuya

Now that I'm back at work, I've got a stack of stuff to do, including finishing off the DELTA course that I started a year ago and getting to grips with a new area of teaching - GCSE ICT. This will mean simultaneously being a student of a Cambridge qualification and a teacher of one, which is a rather unusual position to be in! It'll also mean that I'll inevitably struggle to get in as much blogging and other stuff as I'd like. Still, all in a good cause.

Hold on and there'll be films from Japan, possibly more pictures and a bunch more Shelf Life content too. Got to squeeze this stuff in while I can!

Kanagawa balconies, with laundry

Wednesday, August 25, 2010

Shelf Life, live in Tokyo in 2010

Flyer by D1 Designs

I'm thrilled to announce that after two years since our last live show together, Shelf Life will finally be playing live again in less than 10 days. Back in the old haunt, we'll be playing Rubber Soul again during my forthcoming trip to Japan, on Sunday September 5th.

As usual, entry is free and we'll be on stage from about 7PM. We'll be playing a familiar set (to regular attenders) of material from the 'Best Before End' album and a splendid time should be guaranteed for all. Click the above link for a map of getting to the venue.

We'll look forward to seeing you down the front, and in the meantime, here's 'Louie Louie' to get you in the mood:




Sunday, June 27, 2010

Archive clip: Shelf Life - 'With Or Without You'



Getting back on track with the trawl through the archives for publishable content, I finally managed to get this one up over the weekend - Shelf Life's cover of 'With Or Without You'. The clip comes from 2005, and it's quite hard to believe that that's now five years ago. As it was shot with a small camera from the audience, the quality of the video is a little shaky.

We often used to end a show with this track. It was always a fun one to end on as the audience got into the ballad at the beginning, then it really sped up towards the end. Despite not being a major fan of U2 by any shot, I did always like this particular song and it was great fun to play.

I'm also pleased to say that when I return to Tokyo at the end of the summer, Shelf Life will once again be playing together at Rubber Soul (Sunday September 5th). Tokyoites - if you're in town that night, come on down. You heard it here first folks!

Oh, and I hope that regular readers like the new design for this blog. Still much more to do on it, but the look seems much more in keeping with the Web of now than the one of four years ago, when this blog began.

Monday, June 07, 2010

Robot officially weds Japanese couple (WN0030)



With the major parts of my course now over and the term coming to an end, there's a fairly major backlog of Web stuff clamouring to be heard. I've now got a little more space to begin tackling it.

First up, this little nugget and one that I couldn't resist. It hits many of the right buttons - Japan, tech, etc. Yes, a Japanese couple - in what I believe to be a world's first - have been officially married by a robot. The BBC have also reported on this story, which is a few weeks old (ancient news on Web terms) by now.

Enjoy...

Monday, March 29, 2010

Archive clip: Shelf Life - 'Oh! Darling'



Here comes another video clip from the Shelf Life archive, this time a 2006 cover of The Beatles 'Oh! Darling', from 'Abbey Road'. The quality is similar to the other archive clips I've been posting, but should be enough to hear how we did.

We only played the song live once, and it came as we were starting to phase out cover versions for our own material. It was a gutsy song to sing, and Cheryo did a great job on guitar, as ever.

I do rather miss those Rubber Soul days sometimes, but hey, things move on!

Sunday, March 28, 2010

'Spring Love 2010': free festival in Yoyogi Park, Tokyo (April 3-4)


Building on last year's gathering, next weekend sees the 2010 'Spring Love' event ('Harukaze', in Japanese) in Tokyo's Yoyogi Park.

Last year saw around 40,000 people gathered together for music, dance, talks and discussions about peace, plus healthy food stalls and a market of eco- and organic goods, at this event co-organised by PNWJ. This year sees the festival's return, with more performances, film screenings and talk sessions centred around peace. The event is free and happens surrounded by the beautiful backdrop of this season's cherry blossoms in bloom.

For the full programme, see below (note - many of the talks are likely to be in Japanese):


Date/Time: Sat. April 3rd (1 - 8 PM) / Sun. 
April 4th (12 - 7:30 PM)

Venue: Yoyogi Park Outdoor Stage

Admission: Free


Event will feature:

  • Performances from numerous musicians and dancers representing a variety of artistic genres

  • Peace-related talk sessions, films, and exhibitions

  • Events on two separate stages (Spring Stage and Love Stage)

  • Booths with literature from peace-related NPOs/NGOs

  • Spring Love Market with sales of various eco-friendly goods 

  • Spring Love Kitchen featuring stalls with organic/ethnic foods

  • Live painting

  • Kids’ activities

Peace program (please note that changes may occur):

Saturday, April 3rd

14:30 - 15:25: Military bases and the role of the media



Panelists: Kobayashi Atsushi (documentary filmmaker), 
Shiva Rei (freelance journalist)

Navigator: Inada Hideaki (Solar Inc.)


16:35 - 16:50: Hints for carving out natural, sustainable 
lifestyles in today's unnatural, unsustainable modern 
societies



Speaker: Ikue Masudo, formerly known as Takagi Saya 
(TV/film actor, free diver, owner of Furyu organic cafe/gallery)


Navigator: Fukui Hiroshi (Peace Not War Japan music director, 
DJ)


16:50 - 17:50: Why should Japan's Constitutional Article 9 (the 
peace clause) be protected?



Panelists: Matsumari Masumi (Peace Boat), Shiva Rei 
(freelance journalist), Kamebuchi Yuka (gospel singer)


20:30 〜: Documentary film screenings
  • 'We don’t need bases anywhere!'
  • 'ANPO' promotional clip
  • 
'Message from Yanbaru: A Documentary of Takae, Higashi 
Village in Okinawa'
  • 'Alternative Lifestyles: Learning from the 
European Squatting Movement'
  • 'Kukuru' (featuring a live 
performance from singer UA in Takae village, Okinawa)


Sunday, April 4th

14:00 - 14:45: Listen to citizens' voices: No more wasteful, 
destructive construction!

Hear from activists working to stop 
the following projects in environmentally rich areas: a tunnel 
through Mt. Takao; a nuclear power plant in Kaminoseki; and a 
U.S. military base in Takae Village, Okinawa.

Panelists: Sakata Masako (Kenju no kai), Higa 'Marty' Masato 
(documentary filmmaker), Yamato Taka (organic loquat farmer), 
Yamada Sei (peace/environmental activist and author)


15:30 - 16:25: Building sustainable, non-militarized economies:
 examples of organic, small-scale, community-based alternatives 
to a military-dependent economy

Panelists: Kikuchi Yumi (Harmonics Life Center director, Tokyo 
Peace Film Festival producer, Japan United for a Ministry of 
Peace committee member), Tanaka Yu (Mirai Bank Director, 
Japan International Volunteer Center board member, ap bank 
member), Kosaka Masaru (organic restaurant/bar owner, writer, rice/soybean farmer)


17:10 - 17:25: Kikuchi Yumi, a well-known peace/environmental 
activist, writer, translator, and international speaker, shares the
 latest information on 9/11-related issues, the Tokyo Peace Film 
Festival, and more.

Navigator: Kimberly Hughes, Peace Not War
 Japan co-coordinator.


Musical performers:

Ikue Asazaki (traditional Amami Shimauta folk songs) 


Sayoko meets YA MAN RIDDIM (funky reggae + djembe)



Blues the Butcher-590213 + Leyona (rock/soul/reggae/blues)

Rakita (acoustic groove)


Yuppi & Tane (elementary school aged singer/songwriter!)




Rabirabi (percussion/voice duo)


Ailie (roots reggae)




nam



GOCOO + GoRo
 11-piece wadaiko (Japanese drum) ensemble



Kamebuchi Yuka and Voices of Japan (VOJA) (gospel)


Mika Arisaka (jazz)




SandiiBunbun with Earth Conscious and Hula All Stars (Hawaiian)


The Tchiky's (Acoustic/Afrobeat/Dub)

Fukugawa Baron Club (Indonesian gamelan)



YOSHIE (belly dancing) 




Uranagel (folk)



Jintaramuta (fusion unit blending Japanese travelling street 
protest music together with elements of modern jazz)


Abdallah




Mon Kumagai (shamisen)

And more!



Additional Information:

  • Please note that there may be changes in the list of 
performers and guests.


  • Please refrain from smoking within the venue area, 
as well as from taking photographs of the performers.


  • A portion of the sales of food and goods, as well as 
all donations placed in our donation boxes, will be given 
to several grassroots organizations in order to support 
their ongoing work for nonviolent peace action.
  • Spring Love has a 'gomi-zero' ('no garbage') policy. 
Please leave the venue as clean as you found it by separating 
your trash at one of the provided garbage stations. Garbage 
cleanup is an extremely expensive undertaking, and if this 
policy is not respected, we may not be able to offer this free 
festival in the future. Show some spring love by following the 'gomi-zero' rule!
  • Volunteers needed before and during the event!! (setup,
 translation/interpretation, cleanup, various administrative tasks,
 etc.) If you are able to help, please contact us at kim[a]pnwj.org

Supporting organizations: A SEED JAPAN, Solar, Peace Not 
War Japan, TEAM

Official event website (Japanese only)