'Japan From The Inside' - Blurb Contest results

The winners of the Best Blurb Books Contest, which my book was entered in, were announced last week. Although 'Japan From The Inside' didn't make the final round of judging, it was up against very stiff competition and I was thrilled with the results of getting the word out. The book got a total of 72 votes and some great comments from people that came and previewed it, including a tweeted review from the Tokyo Correspondent of the New York Times.

I'd like to extend a massive thanks to everyone that voted, looked through the book, helped spread the word or even bought a copy. Without readers, books are little but the remains of what was once a tree. For visitors who've not seen this one, click on the image or link above to go through to the book's web page.

Although it might be a little late now that the contest is over, I've taken some of the feedback and added it into a flyer for the book. The intention was to get it done whilst I was still marketing it, but sometimes there's just not enough hours in the day to fit in everything you want to do. Marketing the book itself was an educational experience and it's left me with a stack of ideas for getting the word out about future projects.

There's plenty more writing stuff in the pipeline at the moment, but the next project is going to be a new Control K track. Yoko Ono's released the stems of a song from her latest album under a Creative Commons licence and is inviting remixes. Couldn't resist this one - the question is whether I'll be able to get something decent completed in time for the deadline!

One can only try. So here goes...

'This is Japan!': fast-paced video tour round the country (WN0025)

This is Japan! from Eric Testroete on Vimeo.

While doing the promotion for 'Japan From The Inside', I got plenty of feedback in terms of emails and comments (coming here soon). My cousin also sent me a link that had been forwarded round his office, which I couldn't help but put up here.

The video above is about as frantic a tour around Japan as you can get in a few minutes. Stacked with plenty of classic Japan iconography, it also comes with a bit of a health warning - this tour is fast.

Best enjoyed in full screen.

A Tale of Two Presidents

President George W. Bush declares 'Mission Accomplished' for combat operations in Iraq, 2003 (Associated Press)

During the course of a lifetime, six years can be a very short time. Yes, an individual will go through many changes during that period, but for many people, their sense of how they project themselves will change very little.

In global geopolitics however, six years can be an eternity. When responding to a journalist's question of what is most likely to blow a government off course, former British PM Harold Macmillan famously described 'events, dear boy, events', telling us that no matter how forcefully a government plans and enforces its ideals, there'll always be something that can force it to change direction.

As a government represents a nation on the world stage, so the Head of the Government thus epitomises that nation to the peoples and governments of all other nations. I have chosen two pictures for this post that I think represent such a radically different projection of a nation that they could almost be two entirely different countries; one picture of which has just been released and the other of which is now over six years old.

Above, is an image of the previous President of the United States (still currently the most powerful and influential country on the planet). In the picture, George W. Bush stares confidently and defiantly into the camera, backdropped with personnel and apparatus of a navy warship and a banner declaring 'Mission Accomplished'.

The picture tells the viewer that the US is strong, a military force not to be reckoned with, and a dominator over its foes (by extension, over all). In the picture, Bush is clearly addressing a domestic audience to reassure them of the nation's strength, yet the message is also aimed at a global audience to reinforce fear or deferential respect for the US.

President Barack Obama greeted by Emperor and Empress of Japan, 2009 (Reuters)

In the above picture of current US President Barack Obama, depicted at the beginning of a tour of Asia, we can see an utterly different projection of the US to the world. Obama has his eyes cast downwards rather than staring directly into the camera, and he is giving a deeply sombre bow to the Emperor, the traditional form of Japanese greeting given to anybody regardless of their standing in Japanese society. Emperor Akihito and Empress Michiko and clearly delighted to receive their guest, given the expressions on their faces.

Such a picture would simply not have happened prior to Obama's presidency. During the Second World War, Japan and the US were prime adversaries. As a condition to their surrender during that war, Japan traded keeping their emperor in return for accepting American occupation. Prior to his radio announcement that Japan was surrendering to the US, Emperor Hirohito (Akihito's father) was considered to be a god by ordinary Japanese. Therefore, hearing his voice was a shock to a war-torn nation and amounted to a renunciation of his divinity. Bush's father even famously vomited in the lap of Japanese prime minister Kiichi Miyazawa at a diplomatic dinner in 1992.

The picture of Obama says that the US is respectful of local traditions or customs, and will act appropriately as an invited guest rather than insist on imposing its own way of doing things. It projects an image of the US that no longer takes a 'with us or against us' approach to international relations, but one of 'we're all in this together' and of equals on the world stage. Obama is stepping out of the confines of a purely domestic audience and addressing a global one (although whether he would be seen addressing Hamid Karzai in a similar manner remains to be seen).

Doubtless, there are many criticisms of the above reading of such an image that could be made, including that one single picture does not demonstrate a complete reversal of US foreign policy and that the US still has military bases across the planet that enforce its will. However, in our symbol-driven, always-on instant-media, modern world, I'd argue that this development is a massive and positive shift in the balance of global power relations.

If the United States can act with humility in the presence of former conquered adversaries, we are indeed living through most intriguing times and should at least have stepped back from the brink of the fears of the Bush era.

'Japan From The Inside': my first book

Promo video for 'Japan From The Inside'

Spending close to five years living and working in Japan (as regular readers of this blog will know), I travelled extensively around the country and amassed a large collection of photographs from my forays. As I was documenting the place in this way, I also ran off several articles and other pieces of writing inspired by my experiences. Expatriation can be a wonderful source of inspiration for the creative mind, and it often offers up opportunities or insights that locals miss out on or let slip. So it was with me and Japan.

Amongst the many projects I got involved with there and after countless years of deliberation over the idea, I also finally got around to starting my first novel - even managing to get as far as writing something like 70,000 words of it. However, as the idea of being a novelist took greater hold in my imagination, I realised that the book I was writing was actually more of a third or fourth novel rather than the first out of the stable. A bit too complex to be my initial offering, and I'm keen that my introductory tome should be a little more palatable to new readers. Nevertheless, I still had a burning desire to get my first book out before I hit 40, now just a couple of years off.

Returning to the UK in 2008 and as a part of processing what I'd been through, I hit upon the idea of putting my archives to use to introduce Japan to those who'd never been there and hopefully provide a little deeper insight for more seasoned Japanophiles. Using print-on-demand service blurb.com, I assembled my first full book release and issued it last year.

Life being what it sometimes is, there was no real opportunity to let anyone know about it at the time. There were also a few kinks to iron out in it, the result of some rather hurried proofreading. Now I'm back in Brighton and things have settled down enough to the point that I'm able to at least finish off some of the projects that had been shelved, I've created and issued a second edition of the book.

Views of 'Japan From The Inside'

Out now, 'Japan From The Inside' is a window into a land of superlatives. Including 238 pages, over 500 photos and my collected writings on Japan from 2003 to 2008, it unmasks the world’s biggest city, explores the heights of the frozen North and the pleasures of the subtropical South. Readers can also investigate the ancient capital of Kyoto, witness Hiroshima’s recovery from the atomic bomb, and wander amongst the great beauty of the Japan Alps.

Showing sides to the country that visitors rarely get to see and which the Japanese are often too busy to take time over, the book covers the old, the new, and unique. It looks at some of the customs, food and heritage in Japanese culture, examines a Japanese approach to gardens and nature, and captures some of the 127 million people that call it their home.

It is currently entered in the Best Blurb Books Contest, which runs until Nov 9th, 2009. Books that receive the most votes in three separate categories (Family, Travel, Pets) go through to a second round of judging by an expert panel, with each category winner receiving a Grand Prize.

To vote for the book, visitors create a profile at blurb.com (with username and password) and click on the 'Vote For This Book' button on my book's page. Every vote is very highly appreciated! I'm also keen to get some comments on it too, as the more comments the book gets, the easier it is for other people to find it.

I'm usually a bit shy about marketing my own products (it sounds a bit like blowing your own trumpet, which can be a little crass if not done tastefully), but am biting the bullet and giving this one the big push. So if you really like the book or are stuck for what to buy someone for Christmas this year, feel free to buy a copy! The softcover is priced at £30.95 while the hardcover is going for £39.95.

Thanks in advance for any extra votes that come via this blog!

'The Future Of Collaboration', and Cory Doctorow in Brighton

A final post to end what has been rather a long day. After a morning and afternoon spent at BELTE (the inaugural Brighton English Language Training Event), where I picked up all sorts of tips, tricks and connections that should be able to help with my teaching, I ambled down from the train station to the seafront, only to be confronted by the glorious vision of the sunset over the West Pier pictured above

Renowned net evangelist and author Cory Doctorow (who is exactly one month older than me, according to his Wikipedia entry) was in town for a panel discussion at The Brighton Salon, with Nico MacDonald and Michael Bull. The event was eagerly awaited by certain sections of the Brighton geekerati and I'd been looking forward to it for a while.

Macdonald, Bull, Robert Clowes (Salon chairman) and Doctorow at the Thistle Hotel

Doctorow spoke first to kick off the panel, describing how the internet was not just the world's greatest copy machine, but also its best collaboration machine, and the importance of keeping the copyright industries from 'wiretapping us'. He delivers at quite a pace - fast enough that some in the audience less up on the terminology of our networked times struggled with and which I wasn't able to take notes fast enough either - but the assembled crowd lapped it up.

Bull went on to talk about the challenges of communicating with people that aren't sitting next to you and the contradictions of increasing connectivity leading to greater isolation. Macdonald wrapped up with waxing lyrical about 'the profundity of open source' and how we create and deliver the work that we do better than ever (summed up as 'I share, therefore I am'), but opined that open source culture doesn't tend to create new forms and a concern that the 'hive mind' could reduce innovation. Panel discussions and questions from the audience followed.

Doctorow checks the event's tweet stream

Naturally, things got heated at some points, with firm rebuttals of a few of the issues raised. Doctorow denied that open source culture has reduced innovation, stating also that we are living 'in a period of permanent revolution'. Macdonald claimed that we are not living in as revolutionary times as the move from the land to the cities, rebutted by Doctorow with 'Change today is radically faster than agrarian to industrial change.' A rather intriguing feature of the discussion was that both speakers were monitoring the tweet streams of the event (hashtag: #bssharing) and responding to tweets from the audience in addition to their panel contributions. Some serious multitasking.

There were a few other choice quotes from the night that I tweeted from the audience, including 'We can combine the talents of humanity for the first time' and 'The future's going to be weirder than we can now predict.'

All in all, plenty of thought-provoking material (even if there were no ideas that were particularly new to me) and a most engaging evening. One thing's pretty much for sure - whatever the future's going to look like, we can be pretty damned certain that it's going to look very very different from how we might imagine or predict it now, and weirdness as the order of the day would be most likely!

(update: for a well-written and more extensive report on the evening, visit tomhume.org)

A future of Chinese innovation (WN0024)

PhotoSketch: Internet Image Montage from Tao Chen on Vimeo.

As sometimes happens with Twitter, sometimes you stumble across something that's undeniably very cool and have to tell other people about it. Retweeting is the customary way, but having come across this gem, I had to tell my blog readers about it too.

Described by Mashable as 'just mind-boggling', this ingenious piece of software comes out of China - an interesting sign of the place becoming a future source of great innovation. Although it doesn't seem to be publicly available yet, the video above demonstrates quite clearly what it can do.

Mashable defines it like this:

Step 1. Draw the outlines of the figures you want in your picture – anything from seagulls to a Mercedes, whatever tickles your fancy,

Step 2. Add labels for each of the items, as well as for the background.

Step 3. PhotoSketch will then find real-life images to match your doodles and put them together in a Photoshopped image that will make your jaw drop.

The Telegraph describes it more simply as a piece of software 'which transforms basic stick-figure drawings in to a photograph', not quite doing it justice but an effective summary all the same.

The site for PhotoSketch is here, but such was the initial interest in it on the web that it crashed their servers. Goes to show perhaps, if you have a really good idea and can present it well enough, there's no better platform than the Web for getting the word out and building huge demand.

It looks to me like it has the potential to be a powerful disruptive technology that could go massive. Rather than me speculate about how it could end up being used by people and the social implications, I'm inviting comments below to see what readers think.

Of beasts and cocoons

T-Rex, the animatron

My wife and I spent the day in London today. The weather was on our side, with glorious sunshine for this time of year, and we had one of those days that just work on every front (despite Central London always being pretty exhausting to get around in the daytime). We got in some good food, with a sushi selection from Harrods, and I finally managed to take her to see Big Ben - something I'd promised to do since we moved to the UK but somehow hadn't had the time to sort out.

In the afternoon, we paid a trip to the Natural History Museum. I hadn't been since I was a child (and a good few of the exhibits don't seem to have changed since then), but it was great to visit again. One of the highlights was the dinosaur area, which brought back memories of my earliest aspirations in life. As a boy of about six or seven, I envisioned myself growing up to become a palaeontologist, travelling the world and uncovering creatures buried in the shifting sands of time.

As far as I can remember, the intention to work with the natural world carried on for some years after. Then, at fourteen I went to stay with my uncle in Germany and heard 'Rubber Soul', thus getting me hooked on The Beatles and changing my ambitions to rock 'n' roll instead of old bones. I got closer to that than I ever did with palaeontology, but it's probably an even more difficult path to make a living from. Totally unrelated to either, these days I teach to put bread on the table. I guess we all have to run with the practicalities when life becomes a reality rather than a dream.

After the bottlenecked walkways at the beginning of the museum's dinosaur zone, with its Triceratops skeletons and all manner of other beasts low-lit and suspended by cables from the ceiling, we came across the treat in the video clip above - an animatronic T-Rex. I must admit, it was very effective and slightly eerie too. The creature seemed pretty lifelike and when the imagination wandered a little, it wasn't too tough to picture him edging forward from his patch and taking a chunk out of the crowd. While there is so much to criticise in terms of government policy over the past decade, I don't think that making the museums free is one of them.

The Cocoon, which houses the Darwin Centre

In a complete contrast of lighting, we wandered past the Cocoon too, which houses the newly opened Darwin Centre. Unfortunately there wasn't enough time to head in and see what was going on inside, but there was structure, space and light to appreciate from the outside all the same. Darwin was my first childhood hero, way before I'd ever heard of John Lennon, and I'm pleased to see that he continues to play a significant role in the public imagination.

London's museums being as vast and crowded as they are, we didn't get to see much of the rest of the place. Perhaps in another 20-odd years, I'll make it back there again. There'll be a few more modern treats to reflect whatever innovations are going on at the time, but I expect there'll still be the same old shabby lions in glass cases, gathering yet more dust. Much like the rest of the country, really.